{"id":957,"date":"2025-04-18T09:00:00","date_gmt":"2025-04-18T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=957"},"modified":"2026-09-28T10:44:47","modified_gmt":"2026-09-28T08:44:47","slug":"la-plupart-des-musiciens-apprennent-mal-lharmonie-inside-the-score","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2025\/04\/18\/la-plupart-des-musiciens-apprennent-mal-lharmonie-inside-the-score\/","title":{"rendered":"La plupart des musiciens apprennent mal l&#8217;harmonie (Inside the Score)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Most musicians learn harmony wrong\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/SJYj57TUKjc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">On apprend l&#8217;harmonie comme une suite d&#8217;accords \u00e0 \u00e9tiqueter ; or elle na\u00eet d&#8217;abord du mouvement des voix, de la conduite de chaque ligne. Comment analyser autrement, d\u00e9monstration \u00e0 l&#8217;appui sur un pr\u00e9lude et une mazurka en la mineur de Chopin (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Du m\u00eame auteur : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=970\">motifs et germes<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=971\">ce qui rend Debussy si fran\u00e7ais<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=972\">Chostakovitch et le massacre de 1905<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9o d&#8217;Inside the Score.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On apprend l&#8217;harmonie comme une suite d&#8217;accords \u00e0 \u00e9tiqueter ; or elle na\u00eet d&#8217;abord du mouvement des voix, de la conduite de chaque ligne. Comment analyser autrement, d\u00e9monstration \u00e0 l&#8217;appui sur un pr\u00e9lude et une mazurka en la mineur de Chopin (en anglais). Du m\u00eame auteur : motifs et germes, ce qui rend Debussy si fran\u00e7ais, Chostakovitch et le massacre de 1905. Vid\u00e9o d&#8217;Inside the Score.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[378,233,236,234,122],"tags":[],"class_list":["post-957","post","type-post","status-publish","format-standard","hentry","category-inside-the-score","category-musique","category-musique-ecoute-et-analyse","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=957"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/957\/revisions"}],"predecessor-version":[{"id":985,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/957\/revisions\/985"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}