{"id":913,"date":"2025-02-25T09:00:00","date_gmt":"2025-02-25T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=913"},"modified":"2026-09-27T21:59:39","modified_gmt":"2026-09-27T19:59:39","slug":"quels-enchainements-daccords-pour-quelles-emotions","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2025\/02\/25\/quels-enchainements-daccords-pour-quelles-emotions\/","title":{"rendered":"Quels encha\u00eenements d&#8217;accords pour quelles \u00e9motions ?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Pourquoi certains encha\u00eenements d&#8217;accords sonnent-ils triomphants, d&#8217;autres nostalgiques ou inqui\u00e9tants ? Deux approches, l&#8217;une th\u00e9orique, l&#8217;autre pratique.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Une carte compl\u00e8te du syst\u00e8me tonal (Pur Pasteur)<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Which Chord Sequences Produce Which Emotions (A Complete Map Of The Tonal System)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/n6MViTAfNio?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">La connotation \u00e9motionnelle de chaque encha\u00eenement possible entre deux des sept degr\u00e9s de la gamme : les trois dimensions du mouvement harmonique, le cycle des quintes et son inverse, les progressions par secondes et par tierces, avec des exemples musicaux (en anglais).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dix sch\u00e9mas d&#8217;accords pour dix \u00e9motions (Alex Rome)<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"10 Chord Patterns for 10 Different Emotions\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_yw85rAb6cw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00f4t\u00e9 production : des accords euphoriques, graves, tendus, tristes, agressifs, joyeux ou d\u00e9tendus, construits pas \u00e0 pas au clavier (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9os de Pur Pasteur et d&#8217;Alex Rome.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pourquoi certains encha\u00eenements d&#8217;accords sonnent-ils triomphants, d&#8217;autres nostalgiques ou inqui\u00e9tants ? Deux approches, l&#8217;une th\u00e9orique, l&#8217;autre pratique. Une carte compl\u00e8te du syst\u00e8me tonal (Pur Pasteur) La connotation \u00e9motionnelle de chaque encha\u00eenement possible entre deux des sept degr\u00e9s de la gamme : les trois dimensions du mouvement harmonique, le cycle des quintes et son inverse, les progressions par secondes et par tierces, avec des exemples musicaux (en anglais). Dix sch\u00e9mas d&#8217;accords pour dix \u00e9motions (Alex Rome) C\u00f4t\u00e9 production : des accords&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/smalltalks.eu\/blog\/2025\/02\/25\/quels-enchainements-daccords-pour-quelles-emotions\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-913","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=913"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/913\/revisions"}],"predecessor-version":[{"id":922,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/913\/revisions\/922"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}