{"id":912,"date":"2025-08-18T09:00:00","date_gmt":"2025-08-18T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=912"},"modified":"2026-09-27T21:59:38","modified_gmt":"2026-09-27T19:59:38","slug":"le-tonnetz-voir-lharmonie","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2025\/08\/18\/le-tonnetz-voir-lharmonie\/","title":{"rendered":"Le Tonnetz : voir l&#8217;harmonie"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Le <strong>Tonnetz<\/strong> (\u00ab r\u00e9seau de notes \u00bb), imagin\u00e9 par Euler au XVIII<sup>e<\/sup> si\u00e8cle, dispose les douze notes sur une grille o\u00f9 les quintes, les tierces majeures et les tierces mineures forment des axes. Chaque accord parfait devient un triangle, et les encha\u00eenements d&#8217;accords se lisent comme des d\u00e9placements. Une autre fa\u00e7on de voir la musique.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">La th\u00e9orie musicale en images, avec le Tonnetz<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music Theory for Beginners in a visual and intuitive way with the Tonnetz\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/m4oACuosD0A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Pour d\u00e9butants : les touches du piano et les notes, les intervalles, la construction des accords, puis la grille du Tonnetz pour visualiser accords, gammes et leurs relations (en anglais).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">La Gymnop\u00e9die n\u00b01 de Satie sur le Tonnetz<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gymnop\u00e9die No. 1 \u2013 Tonnetz Visualization\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/nidHgLA2UB0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">La c\u00e9l\u00e8bre pi\u00e8ce d&#8217;Erik Satie, anim\u00e9e sur la grille avec TonnetzViz, l&#8217;application web d&#8217;Ond\u0159ej C\u00edfka, que l&#8217;on peut aussi jouer soi-m\u00eame au clavier.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Le pr\u00e9lude en mi majeur de Chopin<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tonnetz Analysis of Chopin E-major Prelude\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/c-HDDiWWWTU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Le musicologue Scott Murphy suit le trajet du pr\u00e9lude sur la grille : chaque fois que la note mi revient, elle est soit au m\u00eame endroit, soit d\u00e9cal\u00e9e d&#8217;une tierce majeure et de quatre quartes vers l&#8217;ouest-nord-ouest. Une d\u00e9rive r\u00e9guli\u00e8re que l&#8217;oreille per\u00e7oit sans la nommer.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Un outil pour jouer avec le cycle des quintes et le Tonnetz<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Get in touch with Music Theory! With this playable Circle of Fifths, TONNETZ, Chordprogressions Tool\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Jx0uqsv7ZbQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Sternenherz pr\u00e9sente l&#8217;outil qu&#8217;il a mis des mois \u00e0 construire : gammes, modes, cycle des quintes, degr\u00e9s, choix de progressions d&#8217;accords, extensions, Tonnetz et \u00ab pyramide des couleurs \u00bb des sons, le tout jouable. Une longue visite guid\u00e9e (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9os de GoodMoodGroup, Ond\u0159ej C\u00edfka, Scott Murphy et Sternenherz.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Tonnetz (\u00ab r\u00e9seau de notes \u00bb), imagin\u00e9 par Euler au XVIIIe si\u00e8cle, dispose les douze notes sur une grille o\u00f9 les quintes, les tierces majeures et les tierces mineures forment des axes. Chaque accord parfait devient un triangle, et les encha\u00eenements d&#8217;accords se lisent comme des d\u00e9placements. Une autre fa\u00e7on de voir la musique. La th\u00e9orie musicale en images, avec le Tonnetz Pour d\u00e9butants : les touches du piano et les notes, les intervalles, la construction des accords, puis&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/smalltalks.eu\/blog\/2025\/08\/18\/le-tonnetz-voir-lharmonie\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-912","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/912\/revisions"}],"predecessor-version":[{"id":921,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/912\/revisions\/921"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}