{"id":8227,"date":"2026-10-18T09:00:00","date_gmt":"2026-10-18T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=8227"},"modified":"2026-10-18T18:16:09","modified_gmt":"2026-10-18T16:16:09","slug":"requiem-en-ut-mineur-michael-haydn","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2026\/10\/18\/requiem-en-ut-mineur-michael-haydn\/","title":{"rendered":"Requiem en ut mineur (Michael Haydn)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La <em>Missa pro defuncto Archiepiscopo Sigismundo<\/em> (MH 155), \u00e9crite en 1771 par Michael Haydn, le fr\u00e8re cadet de Joseph, pour la mort du prince-archev\u00eaque de Salzbourg. Le jeune Mozart, au service de la m\u00eame cour, l&#8217;a sans doute entendue : on en retrouve l&#8217;\u00e9cho dans son propre Requiem, vingt ans plus tard. Trois versions.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Rapha\u00ebl Pichon<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Michael Haydn - Requiem in C Minor, MH 155 (1771) [Rapha\u00ebl Pichon]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Dzmj8lRLHh0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Ivor Bolton, Mozarteum et Salzburger Bachchor (Festival de Salzbourg, 2004)<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Michael Haydn - Requiem in C minor, MH 155 [Bolton, Mozarteum Orchester Saltzburg]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/EUKFK2ezoCQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Avec la partition<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Michael Haydn \u2013 Requiem in C minor (Missa pro defuncto Archiepiscopo Sigismondo)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6UKfaU2fjms?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9os : cha\u00eenes PDQBach, hollowchatter, SP&#8217;s score videos.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Missa pro defuncto Archiepiscopo Sigismundo (MH 155), \u00e9crite en 1771 par Michael Haydn, le fr\u00e8re cadet de Joseph, pour la mort du prince-archev\u00eaque de Salzbourg. Le jeune Mozart, au service de la m\u00eame cour, l&#8217;a sans doute entendue : on en retrouve l&#8217;\u00e9cho dans son propre Requiem, vingt ans plus tard. Trois versions. Rapha\u00ebl Pichon Ivor Bolton, Mozarteum et Salzburger Bachchor (Festival de Salzbourg, 2004) Avec la partition Vid\u00e9os : cha\u00eenes PDQBach, hollowchatter, SP&#8217;s score videos.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[430,233,183,122],"tags":[],"class_list":["post-8227","post","type-post","status-publish","format-standard","hentry","category-choeur-limpersberg","category-musique","category-spiritualites","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/8227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=8227"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/8227\/revisions"}],"predecessor-version":[{"id":8231,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/8227\/revisions\/8231"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=8227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=8227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=8227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}