{"id":8225,"date":"2026-10-16T09:00:00","date_gmt":"2026-10-16T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=8225"},"modified":"2026-10-18T18:16:09","modified_gmt":"2026-10-18T16:16:09","slug":"laudate-dominum-mozart","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2026\/10\/16\/laudate-dominum-mozart\/","title":{"rendered":"Laudate Dominum (Mozart)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Le psaume 116 (117), \u00ab Louez le Seigneur, tous les peuples \u00bb, dans les <em>V\u00eapres solennelles d&#8217;un confesseur<\/em> (K. 339) que Mozart \u00e9crivit \u00e0 Salzbourg en 1780 : une longue phrase de soprano, que le ch\u0153ur reprend doucement. Une interpr\u00e9tation, puis les pistes de travail des basses et des t\u00e9nors.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Ch\u0153ur Gary Bertini, Interpreti Veneziani (Venise, 2022)<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"W.A. Mozart \u2013 Laudate Dominum | From &quot;Vesperae Solennes de Confessore&quot; K. 339\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/iDZ8RbRM-Ys?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Neta Flomen, soprano ; direction Ronen Borshevsky, en l&#8217;\u00e9glise San Salvador.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Piste de travail : pupitre de basse<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bass Demo - Laudate Dominum - Mozart\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/H03viXbQgno?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Piste de travail : pupitre de t\u00e9nor<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tenor Demo - Laudate Domimum - Mozart\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Qrukf0CYqP0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9os : cha\u00eenes The Gary Bertini Israeli Choir | \u05de\u05e7\u05d4\u05dc\u05ea \u05d1\u05e8\u05ea\u05d9\u05e0\u05d9, Stephen O&#8217;Bent.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le psaume 116 (117), \u00ab Louez le Seigneur, tous les peuples \u00bb, dans les V\u00eapres solennelles d&#8217;un confesseur (K. 339) que Mozart \u00e9crivit \u00e0 Salzbourg en 1780 : une longue phrase de soprano, que le ch\u0153ur reprend doucement. Une interpr\u00e9tation, puis les pistes de travail des basses et des t\u00e9nors. Ch\u0153ur Gary Bertini, Interpreti Veneziani (Venise, 2022) Neta Flomen, soprano ; direction Ronen Borshevsky, en l&#8217;\u00e9glise San Salvador. Piste de travail : pupitre de basse Piste de travail : pupitre&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/smalltalks.eu\/blog\/2026\/10\/16\/laudate-dominum-mozart\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[430,233,183,122],"tags":[],"class_list":["post-8225","post","type-post","status-publish","format-standard","hentry","category-choeur-limpersberg","category-musique","category-spiritualites","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/8225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=8225"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/8225\/revisions"}],"predecessor-version":[{"id":8229,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/8225\/revisions\/8229"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=8225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=8225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=8225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}