{"id":6002,"date":"2023-05-02T09:00:00","date_gmt":"2023-05-02T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=6002"},"modified":"2026-10-15T09:40:39","modified_gmt":"2026-10-15T07:40:39","slug":"penser-en-gammes-plutot-quen-accords-mangoldproject","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2023\/05\/02\/penser-en-gammes-plutot-quen-accords-mangoldproject\/","title":{"rendered":"Penser en gammes plut\u00f4t qu&#8217;en accords (MangoldProject)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"This will change the way you think about music theory\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qqIuzVbxkUo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Pourquoi jouer un G13\u266f5\u266d9 plut\u00f4t qu&#8217;un simple G7 ? Pour s&#8217;y retrouver dans les accords complexes, tensions et alt\u00e9rations du jazz, il faut penser en gammes plut\u00f4t qu&#8217;en accords : gamme de dominante, gamme alt\u00e9r\u00e9e, et les principales gammes majeures et mineures (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=5478\">le cycle des quintes pour composer<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>MangoldProject.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pourquoi jouer un G13\u266f5\u266d9 plut\u00f4t qu&#8217;un simple G7 ? Pour s&#8217;y retrouver dans les accords complexes, tensions et alt\u00e9rations du jazz, il faut penser en gammes plut\u00f4t qu&#8217;en accords : gamme de dominante, gamme alt\u00e9r\u00e9e, et les principales gammes majeures et mineures (en anglais). Voir aussi : le cycle des quintes pour composer. MangoldProject.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234],"tags":[],"class_list":["post-6002","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/6002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=6002"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/6002\/revisions"}],"predecessor-version":[{"id":6032,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/6002\/revisions\/6032"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=6002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=6002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=6002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}