{"id":6000,"date":"2022-10-30T09:00:00","date_gmt":"2022-10-30T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=6000"},"modified":"2026-10-15T09:40:38","modified_gmt":"2026-10-15T07:40:38","slug":"six-choses-a-savoir-avant-de-commencer-le-piano-london-contemporary-school-of-piano","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2022\/10\/30\/six-choses-a-savoir-avant-de-commencer-le-piano-london-contemporary-school-of-piano\/","title":{"rendered":"Six choses \u00e0 savoir avant de commencer le piano (London Contemporary School of Piano)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"6 Things I Wish I Knew Before Starting The Piano\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7TN_xoi4P_w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Une seule logique de doigt\u00e9s pour les gammes, un travail not\u00e9 et planifi\u00e9, des accords et des gammes qui vont ensemble, une th\u00e9orie r\u00e9duite \u00e0 l&#8217;essentiel, l&#8217;art de travailler lentement, et une technique qui est d&#8217;abord l&#8217;esprit qui commande aux doigts : les conseils qu&#8217;un professeur aurait aim\u00e9 recevoir \u00e0 ses d\u00e9buts (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=5567\">vraiment improviser avec la gamme blues<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>London Contemporary School of Piano.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une seule logique de doigt\u00e9s pour les gammes, un travail not\u00e9 et planifi\u00e9, des accords et des gammes qui vont ensemble, une th\u00e9orie r\u00e9duite \u00e0 l&#8217;essentiel, l&#8217;art de travailler lentement, et une technique qui est d&#8217;abord l&#8217;esprit qui commande aux doigts : les conseils qu&#8217;un professeur aurait aim\u00e9 recevoir \u00e0 ses d\u00e9buts (en anglais). Voir aussi : vraiment improviser avec la gamme blues. London Contemporary School of Piano.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234],"tags":[],"class_list":["post-6000","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/6000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=6000"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/6000\/revisions"}],"predecessor-version":[{"id":6030,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/6000\/revisions\/6030"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=6000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=6000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=6000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}