{"id":600,"date":"2021-08-20T09:00:00","date_gmt":"2021-08-20T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=600"},"modified":"2026-09-27T17:46:07","modified_gmt":"2026-09-27T15:46:07","slug":"laccord-de-tristan-france-musique-nicolas-dedieu","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2021\/08\/20\/laccord-de-tristan-france-musique-nicolas-dedieu\/","title":{"rendered":"L&#8217;accord de Tristan (France Musique &#8211; Nicolas Dedieu)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">C&#8217;est l&#8217;un des accords les plus c\u00e9l\u00e8bres de l&#8217;histoire de la musique. Il ouvre l&#8217;op\u00e9ra <em>Tristan et Isolde<\/em> de Richard Wagner (1865) et, \u00e0 lui seul, r\u00e9sume l&#8217;op\u00e9ra et l&#8217;esth\u00e9tique du milieu du XIX<sup>e<\/sup> si\u00e8cle. Deux regards.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">La chronique de Christophe Dilys<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L&amp;apos;accord de Tristan - La chronique de Christophe Dilys\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/3CYehLi6p-o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">L&#8217;accord de Tristan peut-il s&#8217;analyser harmoniquement ? (Oui)<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"L&amp;apos;accord Tristan peut-il s&amp;apos;analyser harmoniquement ? (OUI)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ngjpZEE2VbQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Le compositeur Nicolas Dedieu montre qu&#8217;il n&#8217;a rien d&#8217;inexplicable : par enharmonie, c&#8217;est un accord de septi\u00e8me \u00ab barr\u00e9 \u00bb bien connu. Tout est une question de contexte tonal, et c&#8217;est justement ce contexte que Wagner brouille.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9os de France Musique et de Nicolas Dedieu.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C&#8217;est l&#8217;un des accords les plus c\u00e9l\u00e8bres de l&#8217;histoire de la musique. Il ouvre l&#8217;op\u00e9ra Tristan et Isolde de Richard Wagner (1865) et, \u00e0 lui seul, r\u00e9sume l&#8217;op\u00e9ra et l&#8217;esth\u00e9tique du milieu du XIXe si\u00e8cle. Deux regards. La chronique de Christophe Dilys L&#8217;accord de Tristan peut-il s&#8217;analyser harmoniquement ? (Oui) Le compositeur Nicolas Dedieu montre qu&#8217;il n&#8217;a rien d&#8217;inexplicable : par enharmonie, c&#8217;est un accord de septi\u00e8me \u00ab barr\u00e9 \u00bb bien connu. Tout est une question de contexte tonal, et&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/smalltalks.eu\/blog\/2021\/08\/20\/laccord-de-tristan-france-musique-nicolas-dedieu\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,236,234,114,122],"tags":[],"class_list":["post-600","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-ecoute-et-analyse","category-musique-theorie","category-radio-france","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=600"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/600\/revisions"}],"predecessor-version":[{"id":691,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/600\/revisions\/691"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}