{"id":5745,"date":"2023-12-04T09:00:00","date_gmt":"2023-12-04T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=5745"},"modified":"2026-10-14T18:46:13","modified_gmt":"2026-10-14T16:46:13","slug":"syrinx-de-debussy-revisite-phonographies-collectif-code","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2023\/12\/04\/syrinx-de-debussy-revisite-phonographies-collectif-code\/","title":{"rendered":"Syrinx de Debussy, revisit\u00e9 (Phonographies, collectif Code)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"code - Phonographies, Vol. 3 : Claude Debussy, Syrinx (Full Album)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bR2V9RJSUqA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Le collectif orchestral Code fait se rencontrer r\u00e9pertoire classique, musique orchestrale contemporaine et musiques actuelles : trois mouvements autour de <em>Syrinx<\/em>, avec la fl\u00fbtiste Anna Besson et le musicien Bachar Mar-Khalif\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=2650\">Syrinx par Emmanuel Pahud<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Code, Phonographies vol. 3 (2023).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le collectif orchestral Code fait se rencontrer r\u00e9pertoire classique, musique orchestrale contemporaine et musiques actuelles : trois mouvements autour de Syrinx, avec la fl\u00fbtiste Anna Besson et le musicien Bachar Mar-Khalif\u00e9. Voir aussi : Syrinx par Emmanuel Pahud. Code, Phonographies vol. 3 (2023).<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-5745","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/5745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=5745"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/5745\/revisions"}],"predecessor-version":[{"id":5775,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/5745\/revisions\/5775"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=5745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=5745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=5745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}