{"id":4544,"date":"2022-09-13T09:00:00","date_gmt":"2022-09-13T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=4544"},"modified":"2026-10-13T15:08:44","modified_gmt":"2026-10-13T13:08:44","slug":"modes-relatifs-et-modes-paralleles-mike-george","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2022\/09\/13\/modes-relatifs-et-modes-paralleles-mike-george\/","title":{"rendered":"Modes relatifs et modes parall\u00e8les (Mike George)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The difference between Relative and Parallel modes\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VtFuQmSaUU0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Les modes \u00e9largissent la palette du compositeur. Mais quelle diff\u00e9rence entre modes relatifs, qui partagent les m\u00eames notes, et modes parall\u00e8les, qui partagent la m\u00eame tonique ? Une distinction nette, et un lien cach\u00e9, que r\u00e9v\u00e8le la g\u00e9om\u00e9trie de la musique (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=4171\">pourquoi le cycle des quintes est important<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=954\">comment les modes changent une chanson<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9o de Mike George.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les modes \u00e9largissent la palette du compositeur. Mais quelle diff\u00e9rence entre modes relatifs, qui partagent les m\u00eames notes, et modes parall\u00e8les, qui partagent la m\u00eame tonique ? Une distinction nette, et un lien cach\u00e9, que r\u00e9v\u00e8le la g\u00e9om\u00e9trie de la musique (en anglais). Voir aussi : pourquoi le cycle des quintes est important, comment les modes changent une chanson. Vid\u00e9o de Mike George.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-4544","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=4544"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4544\/revisions"}],"predecessor-version":[{"id":4574,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4544\/revisions\/4574"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=4544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=4544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=4544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}