{"id":4361,"date":"2020-04-03T09:00:00","date_gmt":"2020-04-03T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=4361"},"modified":"2026-10-13T14:06:57","modified_gmt":"2026-10-13T12:06:57","slug":"composer-un-contrepoint-note-contre-note-jacob-gran","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2020\/04\/03\/composer-un-contrepoint-note-contre-note-jacob-gran\/","title":{"rendered":"Composer un contrepoint note contre note (Jacob Gran)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"How to Compose 1:1 Counterpoint || Tonal Voice Leading 1\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/b5PoTBOj7Xc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c9crire une contre-m\u00e9lodie note contre note, le \u00ab contrepoint de premi\u00e8re esp\u00e8ce \u00bb : c&#8217;est ainsi que Haydn, Mozart ou Beethoven ont appris la conduite des voix. Jacob Gran l&#8217;explique, avec des exemples de Schubert et de Salieri, puis un exercice pas \u00e0 pas (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=959\">des chansons qui utilisent le contrepoint<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Jacob Gran, \u00ab Tonal Voice Leading \u00bb, 1.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9crire une contre-m\u00e9lodie note contre note, le \u00ab contrepoint de premi\u00e8re esp\u00e8ce \u00bb : c&#8217;est ainsi que Haydn, Mozart ou Beethoven ont appris la conduite des voix. Jacob Gran l&#8217;explique, avec des exemples de Schubert et de Salieri, puis un exercice pas \u00e0 pas (en anglais). Voir aussi : des chansons qui utilisent le contrepoint. Jacob Gran, \u00ab Tonal Voice Leading \u00bb, 1.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-4361","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=4361"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4361\/revisions"}],"predecessor-version":[{"id":4391,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4361\/revisions\/4391"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=4361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=4361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=4361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}