{"id":4360,"date":"2019-07-16T09:00:00","date_gmt":"2019-07-16T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=4360"},"modified":"2026-10-13T14:06:57","modified_gmt":"2026-10-13T12:06:57","slug":"la-theorie-du-jazz-en-vingt-minutes-jazz-tutorial","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2019\/07\/16\/la-theorie-du-jazz-en-vingt-minutes-jazz-tutorial\/","title":{"rendered":"La th\u00e9orie du jazz en vingt minutes (Jazz Tutorial)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Jazz Theory in 20 minutes\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RpObAWZ0SKM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Les accords de septi\u00e8me, les extensions (neuvi\u00e8me, onzi\u00e8me, treizi\u00e8me) et leurs alt\u00e9rations, les voicings, la progression II-V-I et ses variantes : l&#8217;essentiel de l&#8217;harmonie jazz au piano, par Julian Bradley (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=3894\">le II-V-I selon Charles Cornell<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=4170\">pourquoi certains accords sonnent \u00ab jazzy \u00bb<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Jazz Tutorial.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les accords de septi\u00e8me, les extensions (neuvi\u00e8me, onzi\u00e8me, treizi\u00e8me) et leurs alt\u00e9rations, les voicings, la progression II-V-I et ses variantes : l&#8217;essentiel de l&#8217;harmonie jazz au piano, par Julian Bradley (en anglais). Voir aussi : le II-V-I selon Charles Cornell, pourquoi certains accords sonnent \u00ab jazzy \u00bb. Jazz Tutorial.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-4360","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=4360"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4360\/revisions"}],"predecessor-version":[{"id":4390,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4360\/revisions\/4390"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=4360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=4360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=4360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}