{"id":4358,"date":"2023-03-16T09:00:00","date_gmt":"2023-03-16T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=4358"},"modified":"2026-10-13T14:06:56","modified_gmt":"2026-10-13T12:06:56","slug":"echelles-et-gammes-symetriques-piano-jazz-concept","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2023\/03\/16\/echelles-et-gammes-symetriques-piano-jazz-concept\/","title":{"rendered":"\u00c9chelles et gammes sym\u00e9triques (Piano Jazz Concept)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00c9chelles et gammes sym\u00e9triques\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/p3jHJRMPqN8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Gamme par tons, gamme diminu\u00e9e, gamme augment\u00e9e : les \u00e9chelles sym\u00e9triques, celles qu&#8217;Olivier Messiaen appelait \u00ab modes \u00e0 transpositions limit\u00e9es \u00bb, parce qu&#8217;on retombe sur les m\u00eames notes au bout de quelques transpositions. Comment elles sont construites, et comment les utiliser en jazz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=595\">les modes du syst\u00e8me naturel<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=352\">th\u00e9orie et cr\u00e9ativit\u00e9<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Piano Jazz Concept.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gamme par tons, gamme diminu\u00e9e, gamme augment\u00e9e : les \u00e9chelles sym\u00e9triques, celles qu&#8217;Olivier Messiaen appelait \u00ab modes \u00e0 transpositions limit\u00e9es \u00bb, parce qu&#8217;on retombe sur les m\u00eames notes au bout de quelques transpositions. Comment elles sont construites, et comment les utiliser en jazz. Voir aussi : les modes du syst\u00e8me naturel, th\u00e9orie et cr\u00e9ativit\u00e9. Piano Jazz Concept.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-4358","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=4358"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4358\/revisions"}],"predecessor-version":[{"id":4388,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4358\/revisions\/4388"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=4358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=4358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=4358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}