{"id":4170,"date":"2022-03-27T09:00:00","date_gmt":"2022-03-27T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=4170"},"modified":"2026-10-13T12:35:25","modified_gmt":"2026-10-13T10:35:25","slug":"pourquoi-certains-accords-sonnent-jazzy-charles-cornell","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2022\/03\/27\/pourquoi-certains-accords-sonnent-jazzy-charles-cornell\/","title":{"rendered":"Pourquoi certains accords sonnent \u00ab jazzy \u00bb (Charles Cornell)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Why Some Piano Chords Just Sound &quot;Jazzy&quot;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2s9WLJ5wiFY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Septi\u00e8mes, neuvi\u00e8mes, voicings ouverts : Charles Cornell d\u00e9cortique au piano ce qui donne \u00e0 un accord sa couleur jazz (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=3417\">deux notes qui font pleurer<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=3894\">le II-V-I<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9o de Charles Cornell.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Septi\u00e8mes, neuvi\u00e8mes, voicings ouverts : Charles Cornell d\u00e9cortique au piano ce qui donne \u00e0 un accord sa couleur jazz (en anglais). Voir aussi : deux notes qui font pleurer, le II-V-I. Vid\u00e9o de Charles Cornell.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-4170","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=4170"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4170\/revisions"}],"predecessor-version":[{"id":4200,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4170\/revisions\/4200"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=4170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=4170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=4170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}