{"id":4080,"date":"2023-03-13T09:00:00","date_gmt":"2023-03-13T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=4080"},"modified":"2026-10-13T12:20:51","modified_gmt":"2026-10-13T10:20:51","slug":"un-prelude-de-bach-dans-le-temperament-de-werckmeister-andreas-isenberg","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2023\/03\/13\/un-prelude-de-bach-dans-le-temperament-de-werckmeister-andreas-isenberg\/","title":{"rendered":"Un pr\u00e9lude de Bach dans le temp\u00e9rament de Werckmeister (Andreas Isenberg)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Johann Sebastian Bach: Prelude (Well-Tempered Clavier 2, BWV 885) - temperament: Werckmeister\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MnxphqJaxSM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Le pr\u00e9lude BWV 885 du second livre du <em>Clavier bien temp\u00e9r\u00e9<\/em>, jou\u00e9 sur un piano accord\u00e9 selon le temp\u00e9rament d&#8217;Andreas Werckmeister (fin du XVIIe si\u00e8cle), o\u00f9 chaque tonalit\u00e9 garde sa couleur propre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=964\">le bon temp\u00e9rament expliqu\u00e9 par Bach<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene d&#8217;Andreas Isenberg.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le pr\u00e9lude BWV 885 du second livre du Clavier bien temp\u00e9r\u00e9, jou\u00e9 sur un piano accord\u00e9 selon le temp\u00e9rament d&#8217;Andreas Werckmeister (fin du XVIIe si\u00e8cle), o\u00f9 chaque tonalit\u00e9 garde sa couleur propre. Voir aussi : le bon temp\u00e9rament expliqu\u00e9 par Bach. Cha\u00eene d&#8217;Andreas Isenberg.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-4080","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=4080"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4080\/revisions"}],"predecessor-version":[{"id":4110,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/4080\/revisions\/4110"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=4080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=4080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=4080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}