{"id":3417,"date":"2023-11-05T09:00:00","date_gmt":"2023-11-05T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=3417"},"modified":"2026-10-12T17:34:17","modified_gmt":"2026-10-12T15:34:17","slug":"deux-notes-qui-font-pleurer-charles-cornell","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2023\/11\/05\/deux-notes-qui-font-pleurer-charles-cornell\/","title":{"rendered":"Deux notes qui font pleurer (Charles Cornell)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"You Can&amp;apos;t Hear These 2 Notes Without Crying\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YqWoBTDMXGo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Parfois, deux notes suffisent \u00e0 serrer la gorge. Au piano, Charles Cornell cherche pourquoi certains intervalles et certains encha\u00eenements nous \u00e9meuvent autant (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=2741\">le rythme d\u00e9routant du th\u00e8me d&#8217;Oppenheimer<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=1193\">Gershwin et sa Rhapsody in Blue<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9o de Charles Cornell.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Parfois, deux notes suffisent \u00e0 serrer la gorge. Au piano, Charles Cornell cherche pourquoi certains intervalles et certains encha\u00eenements nous \u00e9meuvent autant (en anglais). Voir aussi : le rythme d\u00e9routant du th\u00e8me d&#8217;Oppenheimer, Gershwin et sa Rhapsody in Blue. Vid\u00e9o de Charles Cornell.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,235,122],"tags":[],"class_list":["post-3417","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-improvisation","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=3417"}],"version-history":[{"count":2,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3417\/revisions"}],"predecessor-version":[{"id":3455,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3417\/revisions\/3455"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=3417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=3417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=3417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}