{"id":3415,"date":"2014-06-23T09:00:00","date_gmt":"2014-06-23T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=3415"},"modified":"2026-10-12T17:34:16","modified_gmt":"2026-10-12T15:34:16","slug":"sonate-pour-violoncelle-n-4-de-beethoven-pierre-fournier-friedrich-gulda","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2014\/06\/23\/sonate-pour-violoncelle-n-4-de-beethoven-pierre-fournier-friedrich-gulda\/","title":{"rendered":"Sonate pour violoncelle n\u00b0 4 de Beethoven (Pierre Fournier, Friedrich Gulda)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"FOURNIER \/ GULDA, Beethoven CelloSonaten No.4 C-dur op.102 No.1\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/zm4cpGl30AM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Compos\u00e9e en 1815 avec la cinqui\u00e8me, une sonate libre et concentr\u00e9e, en deux mouvements qui s&#8217;ouvrent chacun par une introduction lente. Par Pierre Fournier et Friedrich Gulda, en juin 1959.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=3183\">la Troisi\u00e8me Sonate<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=3305\">la Cinqui\u00e8me Sonate, par les m\u00eames interpr\u00e8tes<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene Queen Cure Sky.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Compos\u00e9e en 1815 avec la cinqui\u00e8me, une sonate libre et concentr\u00e9e, en deux mouvements qui s&#8217;ouvrent chacun par une introduction lente. Par Pierre Fournier et Friedrich Gulda, en juin 1959. Voir aussi : la Troisi\u00e8me Sonate, la Cinqui\u00e8me Sonate, par les m\u00eames interpr\u00e8tes. Cha\u00eene Queen Cure Sky.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-3415","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=3415"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3415\/revisions"}],"predecessor-version":[{"id":3435,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3415\/revisions\/3435"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=3415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=3415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=3415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}