{"id":3191,"date":"2007-02-27T09:00:00","date_gmt":"2007-02-27T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=3191"},"modified":"2026-10-12T17:10:55","modified_gmt":"2026-10-12T15:10:55","slug":"rhapsodie-sur-un-theme-de-paganini-de-rachmaninov-stephen-hough","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2007\/02\/27\/rhapsodie-sur-un-theme-de-paganini-de-rachmaninov-stephen-hough\/","title":{"rendered":"Rhapsodie sur un th\u00e8me de Paganini de Rachmaninov (Stephen Hough)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Vingt-quatre variations sur le dernier Caprice de Paganini, dont la c\u00e9l\u00e8bre dix-huiti\u00e8me, o\u00f9 le th\u00e8me est renvers\u00e9 et devient l&#8217;une des plus belles m\u00e9lodies de Rachmaninov (1934). Stephen Hough, avec l&#8217;Orchestre symphonique de la BBC dirig\u00e9 par Leonard Slatkin, aux Proms de 2001, en trois parties.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Premi\u00e8re partie<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Stephen Hough plays Rachmaninov&amp;apos;s Paganini Rhapsody (1)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/3G0YvPgrYrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Deuxi\u00e8me partie<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Stephen Hough plays Rachmaninov&amp;apos;s Paganini Rhapsody (2)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/g2cTsDOs8xs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Troisi\u00e8me partie<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Stephen Hough plays Rachmaninov&amp;apos;s Paganini Rhapsody (3)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/QHMh_A1IesE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=3040\">le Troisi\u00e8me Concerto de Rachmaninov<\/a>, <a href=\"https:\/\/smalltalks.eu\/blog\/?p=2732\">La Campanella, autre th\u00e8me de Paganini<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene MartinaSemenova.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vingt-quatre variations sur le dernier Caprice de Paganini, dont la c\u00e9l\u00e8bre dix-huiti\u00e8me, o\u00f9 le th\u00e8me est renvers\u00e9 et devient l&#8217;une des plus belles m\u00e9lodies de Rachmaninov (1934). Stephen Hough, avec l&#8217;Orchestre symphonique de la BBC dirig\u00e9 par Leonard Slatkin, aux Proms de 2001, en trois parties. Premi\u00e8re partie Deuxi\u00e8me partie Troisi\u00e8me partie Voir aussi : le Troisi\u00e8me Concerto de Rachmaninov, La Campanella, autre th\u00e8me de Paganini. Cha\u00eene MartinaSemenova.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-3191","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=3191"}],"version-history":[{"count":2,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3191\/revisions"}],"predecessor-version":[{"id":3281,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3191\/revisions\/3281"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=3191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=3191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=3191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}