{"id":3042,"date":"2012-08-26T09:00:00","date_gmt":"2012-08-26T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=3042"},"modified":"2026-10-12T16:36:51","modified_gmt":"2026-10-12T14:36:51","slug":"concerto-pour-violoncelle-de-ligeti-1966","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2012\/08\/26\/concerto-pour-violoncelle-de-ligeti-1966\/","title":{"rendered":"Concerto pour violoncelle de Ligeti (1966)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gy\u00f6rgy Ligeti - Cello Concerto Nr. 1 = 40 (Year: 1966)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_i0fZYusDzk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Le premier mouvement du Concerto pour violoncelle de Gy\u00f6rgy Ligeti (1966) commence par une seule note, \u00e0 peine audible, qui na\u00eet du silence et se diffracte lentement dans l&#8217;orchestre. Une musique de textures, contemporaine de <em>Lux aeterna<\/em>, que Kubrick allait rendre c\u00e9l\u00e8bre dans <em>2001<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene AdorableWarCriminal.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le premier mouvement du Concerto pour violoncelle de Gy\u00f6rgy Ligeti (1966) commence par une seule note, \u00e0 peine audible, qui na\u00eet du silence et se diffracte lentement dans l&#8217;orchestre. Une musique de textures, contemporaine de Lux aeterna, que Kubrick allait rendre c\u00e9l\u00e8bre dans 2001. Cha\u00eene AdorableWarCriminal.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-3042","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=3042"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3042\/revisions"}],"predecessor-version":[{"id":3073,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/3042\/revisions\/3073"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=3042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=3042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=3042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}