{"id":2947,"date":"2012-12-16T09:00:00","date_gmt":"2012-12-16T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=2947"},"modified":"2026-10-12T14:48:45","modified_gmt":"2026-10-12T12:48:45","slug":"ensalada-daguilera-de-heredia-martin-schmeding-orgue","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2012\/12\/16\/ensalada-daguilera-de-heredia-martin-schmeding-orgue\/","title":{"rendered":"Ensalada, d&#8217;Aguilera de Heredia (Martin Schmeding, orgue)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sebasti\u00e1n Aguilera de Heredia: Obra de 8\u00b0 tono - Ensalada\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/b_MrTVC_1Oc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Une \u00ab salade \u00bb : c&#8217;est le nom que l&#8217;organiste aragonais Sebasti\u00e1n Aguilera de Heredia (1561-1627) donna \u00e0 cette pi\u00e8ce o\u00f9 se m\u00ealent les styles et les rythmes, avec ses jeux d&#8217;anches \u00e9clatants. Par Martin Schmeding, sur un orgue virtuel \u00e9chantillonn\u00e9 d&#8217;apr\u00e8s l&#8217;orgue Marcussen de Rotterdam.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene Prinzipal67.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une \u00ab salade \u00bb : c&#8217;est le nom que l&#8217;organiste aragonais Sebasti\u00e1n Aguilera de Heredia (1561-1627) donna \u00e0 cette pi\u00e8ce o\u00f9 se m\u00ealent les styles et les rythmes, avec ses jeux d&#8217;anches \u00e9clatants. Par Martin Schmeding, sur un orgue virtuel \u00e9chantillonn\u00e9 d&#8217;apr\u00e8s l&#8217;orgue Marcussen de Rotterdam. Cha\u00eene Prinzipal67.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-2947","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=2947"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2947\/revisions"}],"predecessor-version":[{"id":2965,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2947\/revisions\/2965"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=2947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=2947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=2947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}