{"id":2945,"date":"2013-10-07T09:00:00","date_gmt":"2013-10-07T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=2945"},"modified":"2026-10-12T14:48:43","modified_gmt":"2026-10-12T12:48:43","slug":"le-quintette-avec-piano-de-brahms-quatuor-ebene","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2013\/10\/07\/le-quintette-avec-piano-de-brahms-quatuor-ebene\/","title":{"rendered":"Le Quintette avec piano de Brahms (Quatuor Eb\u00e8ne)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Quatuor Eb\u00e8ne - Brahms Piano Quintet f-minor Op. 34\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Jb7vDC5les4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">D&#8217;abord quatuor \u00e0 cordes, puis sonate pour deux pianos, l&#8217;\u0153uvre trouva enfin sa forme en quintette avec piano (1864) : l&#8217;un des sommets de la musique de chambre de Brahms. Par le Quatuor Eb\u00e8ne et le pianiste Nikita Mndoyants, au festival de Wissembourg, le 27 ao\u00fbt 2013.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=1190\">pourquoi \u00e9couter Brahms ?<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Festival de Wissembourg.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>D&#8217;abord quatuor \u00e0 cordes, puis sonate pour deux pianos, l&#8217;\u0153uvre trouva enfin sa forme en quintette avec piano (1864) : l&#8217;un des sommets de la musique de chambre de Brahms. Par le Quatuor Eb\u00e8ne et le pianiste Nikita Mndoyants, au festival de Wissembourg, le 27 ao\u00fbt 2013. Voir aussi : pourquoi \u00e9couter Brahms ?. Festival de Wissembourg.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-2945","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=2945"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2945\/revisions"}],"predecessor-version":[{"id":2963,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2945\/revisions\/2963"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=2945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=2945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=2945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}