{"id":2898,"date":"2012-06-22T09:00:00","date_gmt":"2012-06-22T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=2898"},"modified":"2026-10-12T13:05:46","modified_gmt":"2026-10-12T11:05:46","slug":"le-concerto-du-couronnement-de-mozart-murray-perahia","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2012\/06\/22\/le-concerto-du-couronnement-de-mozart-murray-perahia\/","title":{"rendered":"Le Concerto \u00ab du Couronnement \u00bb de Mozart (Murray Perahia)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mozart - Piano Concerto No. 26 in D major, K. 537, &amp;apos;Coronation&amp;apos; (Murray Perahia)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jkKmlip4gA4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Le Concerto pour piano n\u00b0 26, K. 537, doit son surnom \u00e0 son ex\u00e9cution par Mozart \u00e0 Francfort, en 1790, lors des f\u00eates du couronnement de l&#8217;empereur L\u00e9opold II. Par Murray Perahia, qui dirige l&#8217;English Chamber Orchestra depuis le piano (1983).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene MrPalika123.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Concerto pour piano n\u00b0 26, K. 537, doit son surnom \u00e0 son ex\u00e9cution par Mozart \u00e0 Francfort, en 1790, lors des f\u00eates du couronnement de l&#8217;empereur L\u00e9opold II. Par Murray Perahia, qui dirige l&#8217;English Chamber Orchestra depuis le piano (1983). Cha\u00eene MrPalika123.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-2898","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=2898"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2898\/revisions"}],"predecessor-version":[{"id":2918,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2898\/revisions\/2918"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=2898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=2898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=2898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}