{"id":2585,"date":"2009-01-20T09:00:00","date_gmt":"2009-01-20T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=2585"},"modified":"2026-10-12T10:41:33","modified_gmt":"2026-10-12T08:41:33","slug":"contrapunctus-1-de-lart-de-la-fugue-bach-jordi-savall","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2009\/01\/20\/contrapunctus-1-de-lart-de-la-fugue-bach-jordi-savall\/","title":{"rendered":"Contrapunctus 1 de L&#8217;Art de la fugue (Bach, Jordi Savall)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J. S. Bach - Contrapunctus 1 - Die Kunst der Fugue BWV 1080\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/_A-dXCA4fL4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">La premi\u00e8re fugue de <em>L&#8217;Art de la fugue<\/em>, l&#8217;\u0153uvre testament de Bach : un seul th\u00e8me, quatre voix, et toute la science du contrepoint. Par les violes d&#8217;Hesp\u00e8rion XX, sous la direction de Jordi Savall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=2584\">la toccata de la Sixi\u00e8me Partita<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene Jacopo Montigiani.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La premi\u00e8re fugue de L&#8217;Art de la fugue, l&#8217;\u0153uvre testament de Bach : un seul th\u00e8me, quatre voix, et toute la science du contrepoint. Par les violes d&#8217;Hesp\u00e8rion XX, sous la direction de Jordi Savall. Voir aussi : la toccata de la Sixi\u00e8me Partita. Cha\u00eene Jacopo Montigiani.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-2585","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=2585"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2585\/revisions"}],"predecessor-version":[{"id":2615,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2585\/revisions\/2615"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=2585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=2585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=2585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}