{"id":2049,"date":"2017-04-16T09:00:00","date_gmt":"2017-04-16T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=2049"},"modified":"2026-10-11T16:55:36","modified_gmt":"2026-10-11T14:55:36","slug":"sarabande-et-les-trois-mains-de-rameau-maria-lopez-belarte","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2017\/04\/16\/sarabande-et-les-trois-mains-de-rameau-maria-lopez-belarte\/","title":{"rendered":"Sarabande et Les Trois Mains de Rameau (Mar\u00eda L\u00f3pez Belarte)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Rameau (1683-1764), Sarabande &amp; Les Trois Mains from Suite in A Minor RCT5 - Maria Lopez Belarte\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8SMMum5Rjd0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Deux pi\u00e8ces de la Suite en la mineur des <em>Nouvelles suites de pi\u00e8ces de clavecin<\/em> de Jean-Philippe Rameau : une sarabande grave, puis <em>Les Trois Mains<\/em>, o\u00f9 les croisements de mains donnent l&#8217;illusion d&#8217;un troisi\u00e8me interpr\u00e8te. Par Mar\u00eda L\u00f3pez Belarte, au Conservatoire d&#8217;Amsterdam, le 21 d\u00e9cembre 2016.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=1999\">Grigory Sokolov joue Rameau<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cha\u00eene de Mar\u00eda L\u00f3pez Belarte.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deux pi\u00e8ces de la Suite en la mineur des Nouvelles suites de pi\u00e8ces de clavecin de Jean-Philippe Rameau : une sarabande grave, puis Les Trois Mains, o\u00f9 les croisements de mains donnent l&#8217;illusion d&#8217;un troisi\u00e8me interpr\u00e8te. Par Mar\u00eda L\u00f3pez Belarte, au Conservatoire d&#8217;Amsterdam, le 21 d\u00e9cembre 2016. Voir aussi : Grigory Sokolov joue Rameau. Cha\u00eene de Mar\u00eda L\u00f3pez Belarte.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-2049","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=2049"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2049\/revisions"}],"predecessor-version":[{"id":2069,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/2049\/revisions\/2069"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=2049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=2049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=2049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}