{"id":1699,"date":"2016-10-08T09:00:00","date_gmt":"2016-10-08T07:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=1699"},"modified":"2026-10-10T10:57:00","modified_gmt":"2026-10-10T08:57:00","slug":"mazeppa-deux-fois-liszt-kurt-masur-daniil-trifonov","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2016\/10\/08\/mazeppa-deux-fois-liszt-kurt-masur-daniil-trifonov\/","title":{"rendered":"Mazeppa, deux fois Liszt (Kurt Masur, Daniil Trifonov)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Mazeppa, page ukrainien attach\u00e9 nu sur un cheval sauvage lanc\u00e9 \u00e0 travers la steppe, puis devenu chef des Cosaques : Victor Hugo en a fait un po\u00e8me des <em>Orientales<\/em>, et Liszt l&#8217;a mis en musique deux fois.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Liszt: Mazeppa (Tone Poem) - Liepzig Gewandhaus, Kurt Masur.\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/wIhdeoj0IfU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Le po\u00e8me symphonique (1851), par l&#8217;Orchestre du Gewandhaus de Leipzig sous la direction de Kurt Masur.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Daniil Trifonov \u2013 Liszt: Transcendental Etudes No. 4: &amp;apos;Mazeppa&amp;apos; (Presto)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/CXGeOHdiHrE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;\u00c9tude d&#8217;ex\u00e9cution transcendante n\u00b0 4, l&#8217;une des pages les plus difficiles du r\u00e9pertoire pour piano, par Daniil Trifonov (album <em>Transcendental<\/em>, Deutsche Grammophon).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9os de Leo Marillier et de Deutsche Grammophon. Partag\u00e9 sur Facebook le 8 octobre 2016 et le 8 octobre 2017.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mazeppa, page ukrainien attach\u00e9 nu sur un cheval sauvage lanc\u00e9 \u00e0 travers la steppe, puis devenu chef des Cosaques : Victor Hugo en a fait un po\u00e8me des Orientales, et Liszt l&#8217;a mis en musique deux fois. Le po\u00e8me symphonique (1851), par l&#8217;Orchestre du Gewandhaus de Leipzig sous la direction de Kurt Masur. L&#8217;\u00c9tude d&#8217;ex\u00e9cution transcendante n\u00b0 4, l&#8217;une des pages les plus difficiles du r\u00e9pertoire pour piano, par Daniil Trifonov (album Transcendental, Deutsche Grammophon). Vid\u00e9os de Leo Marillier et&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/smalltalks.eu\/blog\/2016\/10\/08\/mazeppa-deux-fois-liszt-kurt-masur-daniil-trifonov\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122,393],"tags":[],"class_list":["post-1699","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique","category-victor-hugo"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=1699"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1699\/revisions"}],"predecessor-version":[{"id":1737,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1699\/revisions\/1737"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=1699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=1699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=1699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}