{"id":1195,"date":"2023-03-10T09:00:00","date_gmt":"2023-03-10T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=1195"},"modified":"2026-10-06T20:59:25","modified_gmt":"2026-10-06T18:59:25","slug":"pourquoi-le-hautbois-donne-t-il-le-la-oya-kephale","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2023\/03\/10\/pourquoi-le-hautbois-donne-t-il-le-la-oya-kephale\/","title":{"rendered":"Pourquoi le hautbois donne-t-il le la ? (Oya Kephale)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pourquoi le hautbois donne le la ?\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Jtm7ssLBiyc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Au d\u00e9but d&#8217;un concert, l&#8217;accord de l&#8217;orchestre commence par la note per\u00e7ante du hautbois, qui donne le la \u00e0 tous les pupitres. Mais pourquoi lui ? L&#8217;orchestre et ch\u0153ur amateur Oya Kephale a men\u00e9 l&#8217;enqu\u00eate, en deux minutes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=1188\">les Quatre Saisons de Vivaldi<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00c9crit et r\u00e9alis\u00e9 par Xavier Lacaze, sur un sujet de Derek Delabernardie, avec le ch\u0153ur et l&#8217;orchestre d&#8217;Oya Kephale.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Au d\u00e9but d&#8217;un concert, l&#8217;accord de l&#8217;orchestre commence par la note per\u00e7ante du hautbois, qui donne le la \u00e0 tous les pupitres. Mais pourquoi lui ? L&#8217;orchestre et ch\u0153ur amateur Oya Kephale a men\u00e9 l&#8217;enqu\u00eate, en deux minutes. Voir aussi : les Quatre Saisons de Vivaldi. \u00c9crit et r\u00e9alis\u00e9 par Xavier Lacaze, sur un sujet de Derek Delabernardie, avec le ch\u0153ur et l&#8217;orchestre d&#8217;Oya Kephale.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,122],"tags":[],"class_list":["post-1195","post","type-post","status-publish","format-standard","hentry","category-musique","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=1195"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1195\/revisions"}],"predecessor-version":[{"id":1222,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1195\/revisions\/1222"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=1195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=1195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=1195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}