{"id":1193,"date":"2023-11-13T09:00:00","date_gmt":"2023-11-13T08:00:00","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?p=1193"},"modified":"2026-10-06T20:59:24","modified_gmt":"2026-10-06T18:59:24","slug":"comment-gershwin-a-ecrit-son-plus-grand-chef-doeuvre-en-cinq-semaines-charles-cornell","status":"publish","type":"post","link":"https:\/\/smalltalks.eu\/blog\/2023\/11\/13\/comment-gershwin-a-ecrit-son-plus-grand-chef-doeuvre-en-cinq-semaines-charles-cornell\/","title":{"rendered":"Comment Gershwin a \u00e9crit son plus grand chef-d&#8217;\u0153uvre en cinq semaines (Charles Cornell)"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"How Gershwin Wrote His GREATEST Piece...In 5 Weeks\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/AxrTvmOwMeY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">En 1924, George Gershwin apprend dans le journal qu&#8217;il doit livrer une \u0153uvre pour le concert de Paul Whiteman : il a cinq semaines. Ce sera la <em>Rhapsody in Blue<\/em>. Charles Cornell raconte le contexte, les sources d&#8217;inspiration, et d\u00e9cortique la construction de l&#8217;\u0153uvre au piano (en anglais).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voir aussi : <a href=\"https:\/\/smalltalks.eu\/blog\/?p=1191\">Ravel et la musique moderne<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vid\u00e9o de Charles Cornell.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1924, George Gershwin apprend dans le journal qu&#8217;il doit livrer une \u0153uvre pour le concert de Paul Whiteman : il a cinq semaines. Ce sera la Rhapsody in Blue. Charles Cornell raconte le contexte, les sources d&#8217;inspiration, et d\u00e9cortique la construction de l&#8217;\u0153uvre au piano (en anglais). Voir aussi : Ravel et la musique moderne. Vid\u00e9o de Charles Cornell.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,234,122],"tags":[],"class_list":["post-1193","post","type-post","status-publish","format-standard","hentry","category-musique","category-musique-theorie","category-themes-musique"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=1193"}],"version-history":[{"count":1,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1193\/revisions"}],"predecessor-version":[{"id":1220,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/posts\/1193\/revisions\/1220"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=1193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/categories?post=1193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/tags?post=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}