{"id":3000,"date":"2026-10-12T16:18:32","date_gmt":"2026-10-12T14:18:32","guid":{"rendered":"https:\/\/smalltalks.eu\/blog\/?page_id=3000"},"modified":"2026-10-12T17:57:32","modified_gmt":"2026-10-12T15:57:32","slug":"theorie","status":"publish","type":"page","link":"https:\/\/smalltalks.eu\/blog\/explorer\/musique\/theorie\/","title":{"rendered":"Th\u00e9orie musicale : un parcours"},"content":{"rendered":"\n<style>\n.stx{--l:#c9ced6;--m:#5b6573;font-size:16px;line-height:1.5}\n.stx a,.stx a:visited,.stx a:active,.stx a:focus{color:#14466b;text-decoration:none}.stx a:hover{color:#0a2a42;text-decoration:underline}\n.stx ol.tl a,.stx ul.lst a{font-weight:600}.stx .era h2{color:#212121}\n.stx .crumb{font-size:13px;color:var(--m);margin-bottom:1.2em}.stx .crumb a,.stx .crumb a:visited{color:var(--m)}\n.stx .cards{display:grid;grid-template-columns:repeat(auto-fill,minmax(210px,1fr));gap:14px;margin:1em 0 2em}\n.stx .card{border:1px solid var(--l);border-radius:8px;padding:12px 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.stx{--l:#4a4f57;--m:#a7b0ba;color:#e2e2e2}\n.dark .stx a,.dark .stx a:visited,.dark .stx a:active,.dark .stx a:focus{color:#8fc9ff}\n.dark .stx a:hover{color:#fff}\n.dark .stx .crumb a,.dark .stx .crumb a:visited{color:var(--m)}\n.dark .stx .era{background:#2a2e33}.dark .stx .era h2{color:#fff}.dark .stx .era p{color:#d6d6d6}\n.dark .stx ol.tl .y{color:#c9c9c9}\n.dark .stx .card{background:#26292e;border-color:var(--l)}\n.dark .stx .tag{background:#363b42;color:#e2e2e2!important}\n.dark .stx .flt button,.dark .stx .flt button:hover,.dark .stx .flt button:focus,.dark .stx .flt button:active{background:#26292e!important;color:#e8e8e8!important}\n.dark .stx .flt button:hover{background:#30353b!important}\n.dark .stx .flt button.on,.dark .stx .flt button.on:hover,.dark .stx .flt button.on:focus{background:#2f4a63!important;color:#fff!important}\n.dark .stx table td{border-color:var(--l)}.dark .stx .gal a{background:#333}\n<\/style>\n<div class=\"stx\"><div class=\"crumb\"><a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=2994\">Explorer le blog<\/a> \u203a <a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=2996\">Musique<\/a> \u203a Th\u00e9orie musicale : un parcours<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Un parcours en six \u00e9tapes, du son lui-m\u00eame au rythme, \u00e0 partir des vid\u00e9os d&#8217;explication publi\u00e9es sur le blog. Chaque \u00e9tape s&#8217;appuie sur la pr\u00e9c\u00e9dente ; dans chaque \u00e9tape, les vid\u00e9os vont de la plus accessible \u00e0 la plus technique.<\/p>\n\n\n\n<div class=\"stx\"><div class=\"era\" style=\"--c:#3c6b8b\"><h2>1. Le son et les notes<\/h2><p>Pourquoi deux sons consonnent, pourquoi douze notes, pourquoi le la du hautbois.<\/p><\/div><ul class=\"lst\"><li><a href=\"https:\/\/smalltalks.eu\/blog\/2025\/07\/22\/la-physique-de-la-dissonance-minutephysics\/\">La physique de la dissonance (minutephysics)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2019\/12\/25\/voir-les-mathematiques-fourier-et-bayes-3blue1brown\/\">Voir les math\u00e9matiques : Fourier et Bayes (3Blue1Brown)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2020\/07\/31\/pourquoi-la-musique-nutilise-t-elle-que-douze-notes-david-bennett\/\">Pourquoi la musique n&#8217;utilise-t-elle que douze notes ? (David Bennett)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2024\/01\/31\/pourquoi-le-piano-commence-t-il-par-do-et-non-par-la-david-bennett\/\">Pourquoi le piano commence-t-il par do et non par la ? (David Bennett)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2023\/03\/10\/pourquoi-le-hautbois-donne-t-il-le-la-oya-kephale\/\">Pourquoi le hautbois donne-t-il le la ? (Oya Kephale)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2024\/04\/24\/pourquoi-les-cloches-sonnent-elles-faux-joey-brink\/\">Pourquoi les cloches sonnent-elles faux ? (Joey Brink)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2026\/06\/03\/un-an-sur-un-piano-janko-glitchnator\/\">Un an sur un piano Jank\u00f3 (Glitchnator)<\/a><\/li><\/ul><\/div>\n\n\n\n<div class=\"stx\"><div class=\"era\" style=\"--c:#3c6b8b\"><h2>2. Les temp\u00e9raments<\/h2><p>Accorder un clavier est un compromis : de Pythagore au temp\u00e9rament \u00e9gal, en passant par le m\u00e9sotonique et Bach.<\/p><\/div><ul class=\"lst\"><li><a href=\"https:\/\/smalltalks.eu\/blog\/2021\/04\/26\/de-pythagore-a-bach-la-question-du-temperament\/\">De Pythagore \u00e0 Bach : la question du temp\u00e9rament<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2022\/12\/21\/le-temperament-mesotonique-capella-academy\/\">Le temp\u00e9rament m\u00e9sotonique (capella academy)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2021\/10\/31\/le-bon-temperament-explique-par-bach-bach-the-animated-series\/\">Le bon temp\u00e9rament expliqu\u00e9 par Bach (Bach The Animated Series)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2023\/01\/12\/comment-jai-appris-a-aimer-le-temperament-egal-enjoy-classical-music\/\">Comment j&#8217;ai appris \u00e0 aimer le temp\u00e9rament \u00e9gal (Enjoy Classical Music)<\/a><\/li><\/ul><\/div>\n\n\n\n<div class=\"stx\"><div class=\"era\" style=\"--c:#3c6b8b\"><h2>3. Gammes, modes, tonalit\u00e9s<\/h2><p>Du majeur et du mineur aux modes, et aux gammes du monde entier.<\/p><\/div><ul class=\"lst\"><li><a href=\"https:\/\/smalltalks.eu\/blog\/2026\/07\/24\/tonalite-mode-et-gammes-du-monde\/\">Tonalit\u00e9, mode, et gammes du monde<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2020\/07\/06\/les-modes-sont-bien-plus-simples-quon-ne-le-croit-charles-cornell\/\">Les modes sont bien plus simples qu&#8217;on ne le croit (Charles Cornell)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2019\/09\/17\/les-modes-classes-par-luminosite-david-bennett\/\">Les modes class\u00e9s par luminosit\u00e9 (David Bennett)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2022\/04\/16\/les-modes-du-systeme-naturel-lydien-mixolydien-phrygien-piano-jazz-concept\/\">Les modes du syst\u00e8me naturel : lydien, mixolydien, phrygien (Piano Jazz Concept)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2025\/04\/08\/comment-les-modes-changent-une-chanson-mike-george\/\">Comment les modes changent une chanson (Mike George)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2022\/03\/21\/sept-gammes-etranges-dont-personne-ne-parle-charles-cornell\/\">Sept gammes \u00e9tranges dont personne ne parle (Charles Cornell)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2022\/10\/18\/pourquoi-les-compositeurs-choisissent-ils-telle-tonalite-enjoy-classical-music\/\">Pourquoi les compositeurs choisissent-ils telle tonalit\u00e9 ? (Enjoy Classical Music)<\/a><\/li><\/ul><\/div>\n\n\n\n<div class=\"stx\"><div class=\"era\" style=\"--c:#3c6b8b\"><h2>4. L&#8217;harmonie<\/h2><p>Les accords, leurs encha\u00eenements et ce qu&#8217;ils font ressentir ; le contrepoint et les voix.<\/p><\/div><ul class=\"lst\"><li><a href=\"https:\/\/smalltalks.eu\/blog\/2023\/02\/21\/lharmonie-telle-que-jaurais-aime-quon-me-lexplique-nahre-sol\/\">L&#8217;harmonie telle que j&#8217;aurais aim\u00e9 qu&#8217;on me l&#8217;explique (Nahre Sol)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2025\/04\/18\/la-plupart-des-musiciens-apprennent-mal-lharmonie-inside-the-score\/\">La plupart des musiciens apprennent mal l&#8217;harmonie (Inside the Score)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2018\/01\/11\/lharmonie-expliquee-en-5-niveaux-de-difficulte-jacob-collier-avec-herbie-hancock\/\">L&#8217;harmonie expliqu\u00e9e en 5 niveaux de difficult\u00e9 (Jacob Collier, avec Herbie Hancock)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2025\/08\/18\/le-tonnetz-voir-lharmonie\/\">Le Tonnetz : voir l&#8217;harmonie<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2025\/02\/25\/quels-enchainements-daccords-pour-quelles-emotions\/\">Quels encha\u00eenements d&#8217;accords pour quelles \u00e9motions ?<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2022\/04\/09\/des-chansons-qui-utilisent-le-contrepoint-david-bennett\/\">Des chansons qui utilisent le contrepoint (David Bennett)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2020\/11\/10\/pourquoi-la-musique-chorale-sonne-t-elle-si-bien-listening-in\/\">Pourquoi la musique chorale sonne-t-elle si bien ? (Listening In)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2023\/11\/05\/deux-notes-qui-font-pleurer-charles-cornell\/\">Deux notes qui font pleurer (Charles Cornell)<\/a><\/li><\/ul><\/div>\n\n\n\n<div class=\"stx\"><div class=\"era\" style=\"--c:#3c6b8b\"><h2>5. Les cadences<\/h2><p>Comment une phrase musicale se conclut, et la cadence andalouse.<\/p><\/div><ul class=\"lst\"><li><a href=\"https:\/\/smalltalks.eu\/blog\/2024\/07\/06\/comment-fonctionnent-les-cadences-mike-george\/\">Comment fonctionnent les cadences (Mike George)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2024\/06\/22\/la-cadence-andalouse-mike-george\/\">La cadence andalouse (Mike George)<\/a><\/li><\/ul><\/div>\n\n\n\n<div class=\"stx\"><div class=\"era\" style=\"--c:#3c6b8b\"><h2>6. Le rythme<\/h2><p>La pulsation, le binaire et le ternaire, les rythmes euclidiens, la question d&#8217;un rythme universel.<\/p><\/div><ul class=\"lst\"><li><a href=\"https:\/\/smalltalks.eu\/blog\/2023\/02\/22\/le-rythme-la-roue-le-binaire-et-le-ternaire-le-3-4-et-le-6-8\/\">Le rythme : la roue, le binaire et le ternaire, le 3\/4 et le 6\/8<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2021\/03\/18\/cest-quoi-un-rythme-euclidien-mathemusique\/\">C&#8217;est quoi un rythme euclidien ? (Math\u00e9musique)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2026\/08\/30\/existe-t-il-un-rythme-universel-le-vortex-arte\/\">Existe-t-il un rythme universel ? (Le Vortex &#8211; ARTE)<\/a><\/li><\/ul><\/div>\n\n\n\n<div class=\"stx\"><div class=\"era\" style=\"--c:#3c6b8b\"><h2>Pour tout reprendre<\/h2><p>Un cours complet, et une r\u00e9flexion sur la th\u00e9orie comme outil de cr\u00e9ation.<\/p><\/div><ul class=\"lst\"><li><a href=\"https:\/\/smalltalks.eu\/blog\/2022\/02\/20\/un-cours-complet-de-theorie-musicale-woochia\/\">Un cours complet de th\u00e9orie musicale (Woochia)<\/a><\/li><li><a href=\"https:\/\/smalltalks.eu\/blog\/2025\/01\/30\/theorie-et-creativite-piano-jazz-concept\/\">Th\u00e9orie et Cr\u00e9ativit\u00e9 (Piano Jazz Concept)<\/a><\/li><\/ul><\/div>\n\n\n\n<div class=\"stx\"><p class=\"note\" style=\"margin-top:2em\">Musique : <a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=2997\">Musique classique<\/a> \u00b7 <a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=2998\">Musiques populaires<\/a> \u00b7 <a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=2999\">Musiques traditionnelles<\/a> \u00b7 <b>Th\u00e9orie musicale<\/b> \u00b7 <a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=3001\">\u00c9couter et comprendre les \u0153uvres<\/a> \u00b7 <a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=3002\">Improviser<\/a> \u00b7 <a href=\"https:\/\/smalltalks.eu\/blog\/?page_id=3003\">Musique et intelligence artificielle<\/a><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Explorer le blog \u203a Musique \u203a Th\u00e9orie musicale : un parcours Un parcours en six \u00e9tapes, du son lui-m\u00eame au rythme, \u00e0 partir des vid\u00e9os d&#8217;explication publi\u00e9es sur le blog. Chaque \u00e9tape s&#8217;appuie sur la pr\u00e9c\u00e9dente ; dans chaque \u00e9tape, les vid\u00e9os vont de la plus accessible \u00e0 la plus technique. 1. Le son et les notes Pourquoi deux sons consonnent, pourquoi douze notes, pourquoi le la du hautbois. La physique de la dissonance (minutephysics) Voir les math\u00e9matiques : Fourier&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/smalltalks.eu\/blog\/explorer\/musique\/theorie\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2996,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3000","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/pages\/3000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/comments?post=3000"}],"version-history":[{"count":7,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/pages\/3000\/revisions"}],"predecessor-version":[{"id":3462,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/pages\/3000\/revisions\/3462"}],"up":[{"embeddable":true,"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/pages\/2996"}],"wp:attachment":[{"href":"https:\/\/smalltalks.eu\/blog\/wp-json\/wp\/v2\/media?parent=3000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}